Edward Weston's Seeing Photographically - Blogger.
Then so called “composition” becomes a personal thing, to be developed along with technique, as a personal way of seeing. - Edward Weston, Edward Weston: The Flame of Recognition (Aperture Monograph) by Edward Weston (Photographer), Ansel Adams (Contributor), Nancy Newhall (Editor), ISBN: 0893815330, Page: 42.
Following on from its hugely successful first edition, The Photography Reader: History and Theory provides deeper insight into the critical discussions around photography - its production, its uses and its effects. Presenting both the historical ideas and the continuing theoretical debates within photography and photographic study, this second edition contains essays by photographers including.
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Edward Weston was one of the biggest figures of twentieth-century photography and one of the most influential.This essay is will Weston brilliance in creating beautiful and neutral views of patterns and ordinary shapes, made him internationally acknowledged (Travis 2001, p.63).
He's been gone 55 years, but the American West we see in our mind's eye still owes much to Edward Weston's photographic eye. Yet because he worked in more or less every one of the known forms of his day — portrait, landscape, still-life, scenes in a variety of tones, and beyond — we tend to think we know Weston's work when we've only seen a fraction of it.
This statement by Weston is so honest, and I believe he had the ability to “see photographically” due to his level of presence. Being in the moment, he was a man who truly enjoyed life, and lived it to the fullest.